I am sure that my enthusiasm when I called Rob in New York City was no
less or more then anyone else who ever considered making a film, when they
first decided to tell someone about it.
I am equally sure that Rob, then in his second year of film school at Tisch and his fourth year in film school altogether, was being no more or less patronizing |
Questions began to get thrown at me like Haynes Color Briefs for Men at
a political convention: Who were my influences? What did I want it too look like?
What was it going to be about? What was my theme? What was my plot?
Color or black and white?
Color or black and white? Now there's one I can answer: me: Black and white is cheaper, right? Rob: Pretty much. me: Well, how much cheaper is cheaper? Rob: Well, I think black and white costs (blah) and color costs (blah). But there is also processing and work prints... me: Oh.(pause)Yes.(pretending I understand, perhaps nodding vigorously to myself). Then definitely black and white. So there it was. I had actually made a decision about this film. For anyone who has known me, this is practically the same as having committed my life blood to |
So then I had to write a story.... |